Two four-part and five three-part In Nomines are attributed to the English composer William Byrd (1543-1623). This form was a polyphonic work written for unspecified instrumental ensemble and was often a written by a younger composer to demonstrate technical mastery. This appears to be the case with Byrd's contributions, which appear to be quite early works.

His two four-part In Nomines share a common exuberance and freshness of approach. His second, though, owes less to established traditions. Faster note values are used than is usual, necessitating some embellishment of the cantus firmus. Additionally, the bass plays a more active role compared to other works, and its companion work.

Despite these differences, close links exist between the two four-part In Nomines. They share a similar final section, with a delayed treble entry and are both contained within the same source. Scholars believe that Byrd conceived them as a pair of works.

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