This is a relatively brief (about six minutes in most performances) but nonetheless colorful work that in structure lies somewhere between motet and oratorio. Using word-painting extensively, it describes the destruction of Babylon in a solo recitative-trio pattern.

In the opening section, first the strings play a subdued rushing motif that grows in intensity and is taken up by the alto soloist as the vocal lines have extended runs on the words "ventum," "ventilabunt," and "demolientur eam" (wind, blew and destroyed her [Babylon], respectively). This is followed by the trio that first in quick triple-time sings "fugite," (flee), in a section that not surprisingly, turns into a fugue, ending with a slower and more melodic call to the people of Babylon to deliver up their souls. (The word "fugue" comes from "fugare," the root of "fugite.") The bass follows this with a majestic recitative which ends with a repeated and embellished "in ruinam" (in ruins), and this is followed by a reprise of the "fugite" trio.

After a brief organ interlude suggesting the quiet after the complete destruction, the tenor has an extended but unembellished almost lament-like recitative dwelling on the lost glories of Babylon, and this is followed by a repeat of the chorus.

© All Music Guide

Portions of Content Provided by All Music Guide.
© 2008 All Media Guide, LLC. All Music Guide is a registered trademark of All Media Guide, LLC.