This brief work falls right between Beethoven's monumental "Waldstein" and "Appassionata" sonatas, with the "Eroica" Symphony lurking nearby. Playable on a five-octave keyboard, this little sonata lures amateurs and then snares them in unexpected technical complications. Billed as minuet, the first movement takes a measured, deliberate tempo, the simple, pleasant, ruminative theme lifting up from the bass. However, just when the student pianist starts enjoying the somewhat complacent mood of this beginning, the trio storms through with nasty octaves in both hands. This development, which really feels like a strange interruption, seems inexplicable. Returning in a slightly more ornate form, the stately opening utterance leads, once again, to the ill-tempered trio, then appears again, goes through transformations which include some dissonant chords, and ends. The second of the two movements, an Allegretto, is one of Beethoven's typical perpetual-motion rondos. This one has a dark edge to it, veering into the minor and keeping up the flood of sixteenth notes, thus seriously limiting the individuality of the various episodes. Amateurs generally must give up entirely by the time they reach the strenuous coda, in which the two hands race each other to the final bar.

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