This composition by one of the twentieth century's important Jewish composers is a highly non-traditional work, religiously and historically speaking. It was commissioned by the Temple Emanuel-El of San Francisco, CA. (Milhaud had been a resident of the Bay Area since fleeing occupied France at the outset of World War II.) The two major non-traditional elements are the use of polyphonic textures (Jewish music is traditionally single-voiced) and the use of instruments for a liturgical text, particularly one designed for the Sabbath morning services.

Milhaud's style was strongly based in polyphony, often so strongly that he often put different voices in different keys at once. The melodic content of the Sacred Service is based on older modes derived from traditional Jewish music. The style of the melodies reflects the traditional cantillation of Hebrew texts. He does this by effective ornamentation of the main curve of the melodies.

Most importantly, his music reflects a deep and thoughtful faith. Despite the use of polyphony and instruments it strongly evokes the long tradition of Jewish worship. Its emotional content is joyful, full of love and caring.

© Joseph Stevenson, All Music Guide