Walton was confident when composing in the grand manner; as an admirer of Elgar's Pomp and Circumstance marches, he did not resent comparisons between this splendid march, written for the coronation of King George VI and Queen Elizabeth, and the older composer's popular patriotic flourishes.

The commission by the BBC called for "a symphonic march for Coronation Week," for which the composer would receive a fee of 40 guineas (about $58 at present-day exchange rates). Walton agreed enthusiastically and completed the work in a fortnight.

The march was played in Westminster Abbey immediately before the ceremony, for the entrance of Queen Mary, the Queen Mother. It must have made an impressive effect indeed in that historic setting. The royal family was popular and the British Empire still an imperial power. The broad cantabile melody exudes confidence, rising to an impressive brass climax to which even the most dedicated republican can thrill. This was no time for subtlety and introspection, and Walton's music is both majestic and imperious.

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