The standard numbering of Mendelssohn's symphonies and their opus numbers are unreliable as guides to the order of composition. This symphony, composed for the 1840 celebration of the 400th anniversary of the invention of printing from movable type, was actually the last of Mendelssohn's five symphonies. "Lobgesang" means "Song of Praise." It is an immense work. In its 70-minute length it rivals its clear predecessor, Beethoven's Symphony No. 9, and Mendelssohn directed that its four movements be played without pause. The first half hour is designated "Sinfonia," and includes three movements: an allegro with introduction, a scherzo, and an adagio religioso. A trombone theme from the introduction is a binding element appearing in various guises throughout the symphony. The 40-minute choral section is, true to the title of the work, a multi-section cantata in praise of the Lord. There is a finely judged dramatic flow of tension giving way to thrilling release in this huge finale. It is easy to see why this serious-minded work is not exactly a concert favorite, but there is much in it that is fine, and it deserves more frequent hearings.

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