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Work

György Kurtág Composer

Kafka Fragments, Op.24   

Performances: 1
Tracks: 40
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Musicology (work in progress):
  • Kafka Fragments, Op.24
    Year: 1985-87
    Pr. Instruments: Soprano & Violin
    • Part 1
      • 1.The Good March in Step
      • 2.Like a Pathway in Autumn
      • 3.Hiding Places
      • 4.Restless
      • 5.Berceuse I
      • 6.Nevermore
      • 7.But He Just Won't Stop Asking Me
      • 8.Someone Tugged at My Clothes
      • 9.The Seamstresses
      • 10.Scene at the Station
      • 11.Sunday, 19th July 1910
      • 12.My Ear...
      • 13.Once I Broke My Leg
      • 14.Enarmoured
      • 15.Two Walking-Sticks
      • 16.No Going Back
      • 17.Pride
      • 18.The Flower Hung Dreamily
      • 19.Nothing of the Kind
    • Part 2
      • 1.The True Path
    • Part 3
      • 1.To Have? To Be?
      • 2.Coitus as Punishment
      • 3.My Fortress
      • 4.I am Dirty, Milena...
      • 5.Miserable Life
      • 6.The Closed Circle
      • 7.Destination, Path, Hesitation
      • 8.As Tightly
      • 9.Hiding Places
      • 10.Offensively Jewish
      • 11.Amazed, We Saw the Great Horse
      • 12.Scene on a Tram
    • Part 4
      • 1.Too Late
      • 2.A Long Story
      • 3.In Memoriam Robert Klein
      • 4.From an Old Notebook
      • 5.Leopards
      • 6.In Memoriam Joannis Pilinszky
      • 7.Again, Again
      • 8.The Moonlit Night Dazzled Us
    • Part I. The Good March in Step
    • Part I. Like a Pathway in Autumn
    • Part I. Hiding Places
    • Part I. Restless
    • Part I. Berceuse I
    • Part I. Nevermore
    • Part I. But He Just Won't Stop Asking Me
    • Part I. Someone Tugged at My Clothes
    • Part I. The Seamstresses
    • Part I. Scene at the Station
    • Part I. Sunday, 19th July 1910
    • Part I. My Ear...
    • Part I. Once I Broke My Leg
    • Part I. Enarmoured
    • Part I. Two Walking-Sticks
    • Part I. No Going Back
    • Part I. Pride
    • Part I. The Flower Hung Dreamily
    • Part I. Nothing of the Kind
    • Part II. The True Path
    • Part III. To Have? To Be?
    • Part III. Coitus as Punishment
    • Part III. My Fortress
    • Part III. I am Dirty, Milena...
    • Part III. Miserable Life
    • Part III. The Closed Circle
    • Part III. Destination, Path, Hesitation
    • Part III. As Tightly
    • Part III. Hiding Places
    • Part III. Offensively Jewish
    • Part III. Amazed, We Saw the Great Horse
    • Part III. Scene on a Tram
    • Part IV. Too Late
    • Part IV. A Long Story
    • Part IV. In Memoriam Robert Klein
    • Part IV. From an Old Notebook
    • Part IV. Leopards
    • Part IV. In Memoriam Joannis Pilinszky
    • Part IV. Again, Again
    • Part IV. The Moonlit Night Dazzled Us
    • Part I. The Good March in Step
    • Part I. Like a Pathway in Autumn
    • Part I. Hiding Places
    • Part I. Restless
    • Part I. Berceuse I
    • Part I. Nevermore
    • Part I. But He Just Won't Stop Asking Me
    • Part I. Someone Tugged at My Clothes
    • Part I. The Seamstresses
    • Part I. Scene at the Station
    • Part I. Sunday, 19th July 1910
    • Part I. My Ear...
    • Part I. Once I Broke My Leg
    • Part I. Enarmoured
    • Part I. Two Walking-Sticks
    • Part I. No Going Back
    • Part I. Pride
    • Part I. The Flower Hung Dreamily
    • Part I. Nothing of the Kind
    • Part II. The True Path
    • Part III. To Have? To Be?
    • Part III. Coitus as Punishment
    • Part III. My Fortress
    • Part III. I am Dirty, Milena...
    • Part III. Miserable Life
    • Part III. The Closed Circle
    • Part III. Destination, Path, Hesitation
    • Part III. As Tightly
    • Part III. Hiding Places
    • Part III. Offensively Jewish
    • Part III. Amazed, We Saw the Great Horse
    • Part III. Scene on a Tram
    • Part IV. Too Late
    • Part IV. A Long Story
    • Part IV. In Memoriam Robert Klein
    • Part IV. From an Old Notebook
    • Part IV. Leopards
    • Part IV. In Memoriam Joannis Pilinszky
    • Part IV. Again, Again
    • Part IV. The Moonlit Night Dazzled Us

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