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Musicology (work in progress):
-
Recorded Interviews & Speeches
- I am Harry Partch [Spoken]
- Text and music: A Wagnerian Wrestling Match (spoken)
- Life is too precious to spend it with important people [Spoken]
- While my Heart Keeps Beating Time
- San Francisco II
- I'm going to start right off by giving you some sounds...
- A Quarter-Saw Section of Motivations and Intonation - Prelude to Talk
- Introduction to Examples of Intonation
- Scale of Olympos (pentatonic)
- Enharmonic Scale of Archytas; Separated by 3/2's; Triads
- Scale of Pythagoras; Separated by 3/2's; Triads
- Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
- Ptolemy's Equable Diatonic; Separated by 3/2's
- Terpander's Hexatonic [2 egs.]
- Close Degrees
- True and Tempered Triads
- Resolutions from p. 186 of Genesis of a Music [2nd Ed., pp. 186, 187]; Resolution p. 187 [2nd Ed.,
- Fox-Strangways Resolutions [2nd Ed., p. 191]
- Tonal Flux from Genesis, p. 188 [2nd Ed., p. 189]; Tonal Flux from The Letter and Third Chorus of O
- Multiple Tonal Senses from Antiphony of Oedipus, "O crowding woods..."
- Multiple tonal Senses from Dark Brother, "and we who were lost are found again..."; "until our hear
- Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom.
- Melodic Subtleties from The Bewitched [7 egs.]
- Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Re
- Dissonance and Consonance: Coda to Oedipus; Coda to Revelation
- You are charged with being guilty. Are you drunk or not drunk?. . . (spoken introduction, 11/19/53)
- Harry's Wake [Spoken]
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