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Britten The PerformerBenjamin Britten Piano
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| CD 1 of 27 | ||||||
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Johann Sebastian Bach ComposerPassion According to St. John, BWV245...Part 1 (English text version) Work
39:54
Heather Harper Soprano,
Peter Pears Tenor,
Benjamin Britten Piano,
Alfreda Hodgson Mezzo-Soprano,
Russell Burgess Baritone,
Jenny Hill Soprano,
Gwynne Howell Bass,
English Chamber Orchestra Orchestra,
Robert Tear Tenor,
Wandsworth School Boys' Choir Chorus/Choir (Boys)
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| 1 | 1.Chorus: Sire, Lord And Master | 9:58 |
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| 2 | 2a.Recitative (Evangelist): Jesus went forth with his disciples over the brook Cedron; 2b.Chorus: Jesus of Nazareth; 2c.Recitative (Evangelist, Jesus): Jesus said to them; 2d.Chorus: Jesus of Nazareth; 2e.Recitative (Evangelist): Jesus answered | 2:58 |
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| 3 | 3.Chorale: O mighty love, o love beyond all measure | 1:09 |
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| 4 | 4.Recitative (Evangelist, Jesus): In this way he fulfilled his prophecy | 1:17 |
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| 5 | 5.Chorale: Your will be done, o Lord | 0:56 |
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| 6 | 6.Recitative (Evangelist): The troops, their commander | 0:49 |
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| 7 | 7.Aria (Alto): To free me from the coils of my sins | 5:33 |
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| 8 | 8.Recitative (Evangelist): Simon Peter and another disciple followed Jesus | 0:19 |
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| 9 | 9.Aria (Soprano): I, too, follow you | 4:00 |
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| 10 | 10.Recitative (Evangelist, Maid, Peter, Jesus, Servant): That same disciple was known to the High Priest | 3:37 |
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| 11 | 11.Chorale: Ah, who would dare to smite Thee? | 1:30 |
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| 12 | 12a.Recitative (Evangelist): So Annas sent him bound; 12b.Chorus: Are you not one of his disciples; 12c.Recitative (Evangelist, Petrus, Servant): But he denied it, saying | 2:37 |
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| 13 | 13.Aria (Tenor): Ah, my soul, where do you wish to go | 3:41 |
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| 14 | 14.Chorale: Peter, oblivious to all | 1:30 |
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Johann Sebastian Bach ComposerPassion According to St. John, BWV245...Part 2 (English text version) Work
1:30:28
Heather Harper Soprano,
Peter Pears Tenor,
Benjamin Britten Piano,
Alfreda Hodgson Mezzo-Soprano,
Gwynne Howell Bass,
English Chamber Orchestra Orchestra,
John Shirley-Quirk Baritone,
Robert Tear Tenor,
Wandsworth School Boys' Choir Chorus/Choir (Boys)
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| 15 | 15.Chorale: Christ, our saviour | 1:01 |
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| 16 | 16a.Then led they Jesus from Caiaphas to the judgement | 4:53 |
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| 17 | 17.Chorale: Ah, mighty King | 1:59 |
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| 18 | 18a.Recitative (Evangelist, Pilate, Jesus): Pilate then said; 18b.Chorus: Not him; Barrabas!; 18c.Recitative (Evangelist): Barrabas was a murderer | 2:24 |
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| 19 | 19.Arioso (Bass): Consider, my soul, with timid delight | 3:06 |
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| 20 | 20.Aria (Tenor): Imagine how his blood-spattered back | 9:26 |
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| CD 2 of 27 | ||||||
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| 1 | 21a.Recitative (Evangelist): The soldiers wove a crown of thorns; 21b.Chorus: Hail, o King of the Jews; 21c.Recitative (Evangelist): And they struck him; 21d.Chorus: Crucify him; 21e.Recitative (Evangelist, Pilate): Pilate said to them; 21f.Chorus: We have a law; 21g.Recitative (Evangelist, Pilate, Jesus): When Pilate heard this | 6:59 |
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| 2 | 22.Chorale: Thy Bonds, O Christ, Have Set Us Free | 1:14 |
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| 3 | 23a.Recitative (Evangelist): The Jews shouted; 23b.Chorus: If you let this man go; 23c.Recitative (Evangelist, Pilate): When Pilate heard this; 23d.Chorus: Away with him; 23e.Recitative (Evangelist, Pilate): Pilate said to them | 4:40 |
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| 4 | 24.Aria (Bass) and Chorus: Haste, ye souls (Bass Aria With Chorus) | 5:05 |
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| 5 | 25a.Recitative (Evangelist): And there crucified they him (Recitative); 25b.Chorus: Write thou not 'The King Of Jewry'; 25c.Recitative (Evangelist, Pilate): But Pilate answered | 2:34 |
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| 6 | 26.Chorale: Within My Heart, O Saviour | 1:04 |
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| 7 | 27a.Recitative (Evangelist, Pilate): Having crucified Jesus, the soldiers; 27b.Chorus: Let us not divide this garment; 27c.Recitative (Evangelist, Pilate, Jesus): In this way the Scripture is fulfilled | 4:27 |
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| 8 | 28.Chorale: He took account of everything | 1:25 |
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| 9 | 29.Recitative (Evangelist): And from that hour | 1:50 |
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| 10 | 30.Aria (Alto): The end is nigh!; 31.Recitative (Evangelist): And he bowed his head | 6:49 |
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| 11 | 32.Aria (Bass) and Chorale: My dearest Saviour | 5:52 |
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| 12 | 33.Recitative (Evangelist): And then, behold | 0:30 |
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| 13 | 34.Arioso (Tenor): My heart, behold how all the world | 1:03 |
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| 14 | 35.Aria (Soprano): With torrents of weeping | 7:06 |
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| 15 | 36.Recitative (Evangelist): The Jews, Therefore | 2:24 |
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| 16 | 37.Chorale: Help us, o Jesus, Son of God | 1:10 |
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| 17 | 38.Recitative (Evangelist): And after this, Joseph of Arimathea | 3:11 |
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| 18 | 39.Chorus: Rest in peace, ye sacred remains | 7:49 |
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| 19 | 40.Chorale: O Lord, your sweet cherubim | 2:27 |
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| CD 3 of 27 | ||||||
Johann Sebastian Bach ComposerCantata No.151: Süsser Trost, mein Jesus kommt (3rd Day of Christmas), BWV151 Work
19:04
English Chamber Orchestra Orchestra,
Heather Harper Soprano,
Benjamin Britten Piano,
Choir Of Wandsworth School Choir,
Peter Pears Tenor,
John Shirley-Quirk Baritone,
Helen Watts Contralto
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| 1 | 1.Aria (Soprano): Süßer Trost, mein Jesus kömmt | 8:34 |
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| 2 | 2.Recitative (Bass): Erfreue dich, mein Herz | 1:29 |
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| 3 | 3.Aria (Alto): In Jesu Demut kann ich Trost | 6:40 |
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| 4 | 4.Recitative (Tenor): Du teurer Gottessohn | 1:19 |
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| 5 | 5.Chorale: Heut schleußt er wieder auf die Tür (Lobt Gott, ihr Christen, allzugleich) | 1:02 |
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Johann Sebastian Bach ComposerCantata No.102: Herr, deine Augen sehen nach dem Glauben (10th Sunday after Trinity), BWV102 Work
26:14
English Chamber Orchestra Orchestra,
Benjamin Britten Piano,
Peter Pears Tenor,
Dame Janet Baker Mezzo-Soprano,
Aldeburgh Festival Singers Choir,
Dietrich Fischer-Dieskau Baritone
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| 6 | 1.Chorus: Herr, deine Augen sehen nach dem Glauben | 6:29 |
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| 7 | 2.Recitative (Bass): Wo ist das Ebenbild, das Gott uns eingepräget | 1:23 |
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| 8 | 3.Aria (Alto): Weh der Seele, die den Schaden | 5:45 |
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| 9 | 4.Arioso (Bass): Verachtest du den Reichtum deiner Gnade | 3:23 |
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| 10 | 5.Aria (Tenor): Erschrecke doch, du allzu sichre Seele | 4:55 |
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| 11 | 6.Recitative (Alto): Beim Warten ist Gefahr | 1:31 |
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| 12 | 7.Chorale: Heute lebst du, heut bekehre dich | 2:48 |
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Johann Sebastian Bach ComposerBrandenburg Concerto No.1 in F, BWV1046 Work
21:33
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| 13 | 1.Allegro moderato | 4:22 |
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| 14 | 2.Adagio | 4:06 |
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| 15 | 3.Allegro | 4:40 |
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| 16 | 4a.Menuetto. 4b,Trio 1. 4c.Menuetto | 3:53 |
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| 17 | 4d.Polacca. 4e.Menuetto. 4f.Trio 2. 4g.Menuetto | 4:32 |
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Johann Sebastian Bach ComposerBrandenburg Concerto No.2 in F, BWV1047 Work
12:13
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| 18 | 1.(Allegro moderato) | 5:24 |
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| 19 | 2.Andante | 3:52 |
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| 20 | 3.Allegro assai | 2:57 |
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| CD 4 of 27 | ||||||
Johann Sebastian Bach ComposerBrandenburg Concerto No.3 in G, BWV1048 Work
11:52
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| 1 | 1.Allegro moderato | 6:48 |
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| 2 | 3.Allegro assai | 5:04 |
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Johann Sebastian Bach ComposerBrandenburg Concerto No.4 in G, BWV1049 Work
16:47
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| 3 | 1.Allegro | 7:25 |
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| 4 | 2.Andante | 4:09 |
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| 5 | 3.Presto | 5:13 |
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Johann Sebastian Bach ComposerBrandenburg Concerto No.5 in D, BWV1050 Work
21:36
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| 6 | 1.Allegro | 10:36 |
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| 7 | 2.Affetuoso | 5:36 |
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| 8 | 3.Allegro | 5:24 |
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18:11
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| 9 | 1.Allegro | 7:00 |
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| 10 | 2.Adagio ma non tanto | 4:55 |
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| 11 | 3.Allegro | 6:16 |
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| CD 5 of 27 | ||||||
Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera) Work |
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| 1 | Symphony | 6:53 |
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Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Act 4 Work
4:48
English Chamber Orchestra Orchestra,
Benjamin Britten Piano,
Ambrosian Opera Chorus Chorus/Choir,
Charles Brett Counter-Tenor,
James Bowman Counter-Tenor,
Jennifer Vyvyan Soprano
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| 2 | 28.Aria and Chorus: Now the Night is chas'd away | 2:40 |
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| 3 | 29.Duet: Let the Fifes, and the Clarions | 2:08 |
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| 4 | When a cruel long winter | 2:48 |
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| 5 | 32.Chorus: Hail! Great Parent of us all | 2:21 |
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Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Act 4 Work
10:00
English Chamber Orchestra Orchestra,
Benjamin Britten Piano,
John Shirley-Quirk Baritone,
Mary Wells Soprano,
James Bowman Counter-Tenor,
Ian Partridge Tenor
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| 6 | 33.Prelude and Aria: Thus the ever Grateful Spring | 2:47 |
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| 7 | 34.Prelude and Aria: Here's the Summer, Sprightly, Gay | 1:14 |
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| 8 | 35.Prelude and Aria: See my many Colour'd Fields | 3:04 |
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| 9 | 36.Prelude and Aria: Now Winter comes Slowly | 2:55 |
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| 10 | 32.Chorus: Hail! Great Parent of us all | 2:15 |
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Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Act 2 Work
6:43
English Chamber Orchestra Orchestra,
Benjamin Britten Piano,
Ambrosian Opera Chorus Chorus/Choir,
Charles Brett Counter-Tenor
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| 11 | 7.Prelude and Aria: Come all ye songsters of the sky | 2:31 |
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| 12 | 8b.Trio: May the God of Wit inspire | 1:57 |
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| 13 | 9.Chorus: Now joyn your warbling voices all | 2:15 |
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Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Act 1 Work
English Chamber Orchestra Orchestra,
Benjamin Britten Piano,
Mary Wells Soprano,
Ambrosian Opera Chorus Chorus/Choir,
Owen Brannigan Bass,
Jennifer Vyvyan Soprano
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| 14 | 5.Prelude, Aria and Chorus ('Scene of the Drunken Poet'): Fill up the bowl! | 6:35 |
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Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Act 2 Work
13:55
English Chamber Orchestra Orchestra,
Benjamin Britten Piano,
John Shirley-Quirk Baritone,
Norma Burrowes Soprano,
Ambrosian Opera Chorus Chorus/Choir,
James Bowman Counter-Tenor,
Jennifer Vyvyan Soprano
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| 15 | 11.Prelude and Aria: See, even Night herself is here ('Night') | 5:22 |
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| 16 | 12.Aria: I am come to lock all fast ('Mystery') | 0:43 |
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| 17 | 13.Prelude and Aria: One charming Night ('Secresie') | 2:16 |
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| 18 | 14.Aria and Chorus: Hush, no more, be silent all ('Sleep') | 4:04 |
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| 19 | 15.A dance for the followers of night | 1:30 |
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| CD 6 of 27 | ||||||
Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Prelude Work |
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| 1 | 3.Overture: Grave and Canzona | 1:44 |
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Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Act 3 Work
English Chamber Orchestra Orchestra,
Benjamin Britten Piano,
Peter Pears Tenor,
Ambrosian Opera Chorus Chorus/Choir
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| 2 | 17.Prelude, Aria and Chorus: If Love's a sweet passion | 2:40 |
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Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Act 5 Work |
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| 3 | 40.The Plaint: O let me weep | 7:49 |
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Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Act 3 Work
7:44
English Chamber Orchestra Orchestra,
Benjamin Britten Piano,
Peter Pears Tenor,
Ambrosian Opera Chorus Chorus/Choir,
James Bowman Counter-Tenor,
Alfreda Hodgson Mezzo-Soprano
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| 4 | 22.Dialogue between Coridon and Mopsa: Now the maids and the men | 3:42 |
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| 5 | 24a.Dance of Haymakers | 0:56 |
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| 6 | 25.Aria and Chorus: A thousand thousand ways we'll find | 3:06 |
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| 7 | Hornpipe and rondeau | 2:26 |
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Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Act 4 Work |
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| 8 | Act 4 - Symphony | 1:25 |
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Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Act 5 Work
English Chamber Orchestra Orchestra,
Benjamin Britten Piano,
Ambrosian Opera Chorus Chorus/Choir,
Jennifer Vyvyan Soprano
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| 9 | 48.Song and Chorus: Hark now the Echoing Air | 2:30 |
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Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Act 4 Work
English Chamber Orchestra Orchestra,
Benjamin Britten Piano,
Mary Wells Soprano,
Ambrosian Opera Chorus Chorus/Choir,
Alfreda Hodgson Mezzo-Soprano
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| 10 | Act 4. Sure the Dull God Of Marriage | 2:27 |
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Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Act 5 Work
5:56
Mary Wells Soprano,
Ambrosian Opera Chorus Chorus/Choir,
Owen Brannigan Bass,
Peter Pears Tenor,
Benjamin Britten Piano,
Jennifer Vyvyan Soprano,
English Chamber Orchestra Orchestra,
John Shirley-Quirk Baritone,
James Bowman Counter-Tenor
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| 11 | 50b.Hymen's Aria: See, see, I obey | 1:49 |
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| 12 | 55.Duet: Turn then thine Eyes | 1:10 |
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| 13 | 59.Chorus: They shall be as happy | 2:57 |
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Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Act 4 Work |
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| 14 | Act 4. Chaconne | 3:33 |
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Henry Purcell ComposerThe Fairy Queen, Z.629 (semi-opera)...Act 5 Work |
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| 15 | 59.Chorus: They shall be as happy | 0:53 |
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33:05
Heather Harper Soprano,
English Chamber Orchestra Orchestra,
Benjamin Britten Piano,
Peter Pears Tenor,
John Shirley-Quirk Baritone,
The Ambrosian Singers Chorus,
Josephine Veasey Mezzo-Soprano,
James Bowman Counter-Tenor
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| 16 | Symphony. Canzona | 1:58 |
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| 17 | Celebrate This Festival | 1:34 |
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| 18 | Britain Now Thy Cares Beguile | 1:56 |
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| 19 | Celebrate This Festival | 0:43 |
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| 20 | 'Tis Sacred, Bid The Trumpet Cease | 0:50 |
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| 21 | Let Sullen Discord Smile | 3:22 |
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| 22 | 1.Crown the Altar, Deck the Shrine | 3:01 |
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| 23 | Expected Spring At Last Is Come | 1:46 |
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| 24 | April Who Till Now Has Mourn'd | 2:21 |
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| 25 | Departing Thus You'll Hear Him Say | 1:39 |
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| 26 | Happy Realm Beyond Expressing | 3:26 |
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| 27 | While For a Righteous Cause He Arms | 3:39 |
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| 28 | 12.Return, Fond Muse | 3:42 |
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| 29 | Kindly Treat Maria's Day | 3:08 |
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Henry Purcell ComposerChaconne in G- for 4 Strings, Z.730 Work |
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| 30 | Chaconne in G- for 4 Strings, Z.730 | 7:00 |
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| CD 7 of 27 | ||||||
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24:12
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| 1 | 1.Allegro assai | 5:25 |
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| 2 | 2.Adagio | 7:10 |
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| 3 | 3.Menuet: Allegretto | 3:30 |
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| 4 | 4.Finale: Presto | 8:07 |
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21:35
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| 5 | 1.Allegro di molto | 5:30 |
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| 6 | 2.Adagio, ma semplicemente | 7:35 |
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| 7 | 3.Menuetto and Trio | 4:15 |
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| 8 | 4.Finale: Presto | 4:15 |
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(Franz) Joseph Haydn ComposerCello Concerto No.1 in C, Hob.VIIb:1 Work
26:00
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| 9 | 1.Moderato | 9:46 |
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| 10 | 2.Adagio | 9:33 |
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| 11 | 3.Finale: Allegro molto | 6:41 |
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| CD 8 of 27 | ||||||
Wolfgang Amadeus Mozart ComposerSymphony No.25 in G-, K.183 Work
23:19
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| 1 | 1.Allegro con brio | 8:14 |
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| 2 | 2.Andante | 6:00 |
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| 3 | 3.Menuetto. Trio | 3:53 |
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| 4 | 4.Allegro | 5:12 |
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12:34
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| 5 | 1.Marcia: Maestoso | 3:36 |
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| 6 | 2.Menuetto. Trio | 4:17 |
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| 7 | 3.Rondeau: Allegretto | 4:41 |
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Wolfgang Amadeus Mozart ComposerSymphony No.29 in A, K.201 Work
24:32
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| 8 | 1.Allegro moderato | 7:07 |
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| 9 | 2.Andante | 9:06 |
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| 10 | 3.Menuetto. Trio | 3:03 |
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| 11 | 4.Allegro con spirito | 5:16 |
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| CD 9 of 27 | ||||||
Wolfgang Amadeus Mozart ComposerSymphony No.40 in G-, K.550 Work
37:45
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| 1 | 1.Molto allegro | 7:41 |
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| 2 | 2.Andante | 16:19 |
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| 3 | 3.Menuetto: Allegretto | 4:20 |
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| 4 | 4.Finale: Allegro assai | 9:25 |
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Wolfgang Amadeus Mozart ComposerSymphony No.38 in D, K.504 ('Prague') Work
32:46
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| 5 | 1.Adagio. Allegro | 14:56 |
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| 6 | 2.Andante | 11:54 |
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| 7 | 3.Finale: Presto | 5:56 |
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| CD 10 of 27 | ||||||
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36:09
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| 1 | 1.Allegro vivace | 11:29 |
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| 2 | 2.Andante cantabile | 11:26 |
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| 3 | 3.Menuetto: Allegretto | 4:30 |
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| 4 | 4.Finale: Molto allegro | 8:44 |
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Wolfgang Amadeus Mozart ComposerSymphony No.39 in Eb, K.543 Work
29:44
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| 5 | 1.Adagio. Allegro | 10:52 |
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| 6 | 2.Andante con moto | 9:01 |
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| 7 | 3.Menuetto: Allegretto | 4:00 |
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| 8 | 4.Finale: Allegro | 5:51 |
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| 9 | Si mostra la sorte, for tenor and orchestra, K.209 | 4:11 |
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| 10 | Per pietà, non ricercate, aria for tenor and orchestra, K.420 | 6:54 |
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| CD 11 of 27 | ||||||
Wolfgang Amadeus Mozart ComposerPiano Concerto No.12 in A, K.414 Work
25:00
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| 1 | 1.Allegro | 9:16 |
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| 2 | 2.Andante (after J.C. Bach) | 9:06 |
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$0.99 |
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| 3 | 3.Rondeau: Allegretto | 6:38 |
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Wolfgang Amadeus Mozart ComposerSonata in C for Piano 4-hands, K.521 Work
28:12
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| 4 | 1.Allegro | 12:59 |
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| 5 | 2.Andante | 7:46 |
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| 6 | 3.Allegretto | 7:27 |
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Wolfgang Amadeus Mozart ComposerSonata in D for 2 Pianos, K.448 Work
23:35
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| 7 | 1.Allegro con spirito | 7:48 |
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| 8 | 2.Andante | 9:59 |
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| 9 | 3.Allegro molto | 5:48 |
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| CD 12 of 27 | ||||||
Wolfgang Amadeus Mozart ComposerPiano Concerto No.20 in D-, K.466 Work
33:00
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| 1 | 1.Allegro | 15:06 |
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| 2 | 2.Romanza: Andante | 10:02 |
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| 3 | 3.Rondo: Allegro assai | 7:52 |
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Wolfgang Amadeus Mozart ComposerPiano Concerto No.27 in Bb, K.595 Work
32:03
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| 4 | 1.Allegro | 14:20 |
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| 5 | 2.Larghetto | 8:57 |
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| 6 | 3.Allegro | 8:46 |
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| CD 13 of 27 | ||||||
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25:06
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| 1 | 1.Allegro moderato | 13:34 |
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| 2 | 2.Andante con moto | 11:32 |
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28:40
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| 3 | 1.Allegro moderato | 13:28 |
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| 4 | 2.Adagio | 4:36 |
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| 5 | 3.Allegretto | 10:36 |
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| 6 | 2a.Andantino varié, Op.84, No.1: Theme | 1:10 |
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| 7 | 2b.Andantino varié, Op.84, No.1: Variation 1 | 1:21 |
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| 8 | 2c.Andantino varié, Op.84, No.1: Variation 2 | 1:13 |
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| 9 | 2d.Andantino varié, Op.84, No.1: Variation 3 | 1:15 |
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| 10 | 2e.Andantino varié, Op.84, No.1: Variation 4 | 4:04 |
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16:16
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| 11 | 1.Qui reste a sa place: Avec emportement (Barbier et Carre) | 4:32 |
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| 12 | 2.Prince, porte soit des serfs: Lent. Sombre (Villon) | 7:34 |
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| 13 | 3.Yver, vous n'estes qu'un vilain: Scherzando (Charles d'Orleans) | 4:10 |
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| CD 14 of 27 | ||||||
Franz Peter Schubert ComposerFantasia in F-, D.940, Op.posth.103 Work
17:47
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| 1 | 1.Allegro molto moderato | 4:22 |
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| 2 | 2.Largo | 2:19 |
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| 3 | 3.Allegro vivace | 5:50 |
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| 4 | 3b.Tempo primo | 5:16 |
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18:06
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| 5 | Tema: Allegretto | 1:34 |
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| 6 | Variation 1 | 1:24 |
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| 7 | Variation 2 | 1:24 |
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| 8 | Variation 3: Un poco piu lento | 1:46 |
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| 9 | Variation 4: Tempo 1 | 1:27 |
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| 10 | Variation 5 | 1:54 |
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| 11 | Variation 6: Maestoso | 1:25 |
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| 12 | Variation 7: Piu lento | 3:25 |
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| 13 | Variation 8: Allego moderato | 3:47 |
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39:28
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| 14 | 1.Allegro moderato | 13:05 |
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| 15 | 2.Andante | 9:46 |
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| 16 | 3.Scherzo: Allegro vivace | 5:40 |
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| 17 | 4.Allegro vivace | 10:57 |
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| CD 15 of 27 | ||||||
Franz Peter Schubert ComposerWinterreise, D.911, Op.89 Work
1:11:49
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| 1 | 1.Gute Nacht | 5:51 |
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| 2 | 2.Die Wetterfahne | 1:57 |
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| 3 | 3.Gefrorne Tränen | 2:11 |
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| 4 | 4.Erstarrung | 3:09 |
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| 5 | 5.Der Lindenbaum | 5:03 |
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| 6 | 6.Wasserflut | 3:47 |
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| 7 | 7.Auf dem Flusse | 3:34 |
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| 8 | 8.Rückblick | 2:19 |
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| 9 | 9.Irrlicht | 2:15 |
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| 10 | 10.Rast | 3:15 |
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| 11 | 11.Frühlingstraum | 4:35 |
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| 12 | 12.Einsamkeit | 2:48 |
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| 13 | 13.Die Post | 1:56 |
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| 14 | 14.Der greise Kopf | 2:47 |
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| 15 | 15.Die Krähe | 2:18 |
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| 16 | 16.Letzte Hoffnung | 2:00 |
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| 17 | 17.Im Dorfe | 4:07 |
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| 18 | 18.Der stürmische Morgen | 0:55 |
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| 19 | 19.Täuschung | 1:05 |
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| 20 | 20.Der Wegweiser | 3:47 |
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| 21 | 21.Das Wirtshaus | 4:28 |
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| 22 | 22.Mut! | 1:25 |
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| 23 | 23.Die Nebensonnen | 2:57 |
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| 24 | 24.Der Leiermann | 3:20 |
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| CD 16 of 27 | ||||||
Franz Peter Schubert ComposerDie schöne Müllerin, D.795, Op.25 Work
1:02:38
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| 1 | 1.Das Wandern | 2:28 |
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| 2 | 2.Wohin? | 2:02 |
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| 3 | 3.Halt! | 1:29 |
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| 4 | 4.Danksagung an den Bach | 2:23 |
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| 5 | 5.Am Feierabend | 2:28 |
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| 6 | 6.Der Neugierige | 4:18 |
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| 7 | 7.Ungeduld | 2:38 |
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| 8 | 8.Morgengruss | 3:55 |
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| 9 | 9.Des Müllers Blumen | 3:30 |
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| 10 | 10.Tränenregen | 5:07 |
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| 11 | 11.Mein! | 2:08 |
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| 12 | 12.Pause | 4:29 |
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| 13 | 13.Mit dem grünen Lautenbande | 2:08 |
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| 14 | 14.Der Jäger | 1:17 |
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| 15 | 15.Eifersucht und Stolz | 1:33 |
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| 16 | 16.Die liebe Farbe | 3:59 |
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| 17 | 17.Die böse Farbe | 1:52 |
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| 18 | 18.Trockne Blumen | 3:31 |
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| 19 | 19.Der Müller und der Bach | 4:11 |
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| 20 | 20.Des Baches Wiegenlied | 7:12 |
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| 21 | 14.Die Taubenpost | 3:44 |
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Franz Peter Schubert ComposerDer Einsame, D.800, Op.41 Work |
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| 22 | Der Einsame, D.800, Op.41 | 4:14 |
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Franz Peter Schubert ComposerAn die Laute, D.905, Op.88, No.2 Work |
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| 23 | An die Laute, D.905, Op.88, No.2 | 1:53 |
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| CD 17 of 27 | ||||||
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29:18
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| 1 | 1.Im wunderschönen Monat Mai | 1:41 |
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| 2 | 2.Aus meinen Tränen sprießen | 0:54 |
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| 3 | 3.Die Rose, die Lilie, die Taube, die Sonne | 0:37 |
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| 4 | 4.Wenn ich in deine Augen seh' | 1:46 |
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| 5 | 5.Ich will meine Seele tauchen | 0:56 |
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| 6 | 6.Im Rhein, im heiligen Strome | 2:26 |
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| 7 | 7.Ich grolle nicht | 1:44 |
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| 8 | 8.Und wüßten's die Blumen, die kleinen | 1:27 |
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| 9 | 9.Das ist ein Flöten und Geigen | 1:27 |
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| 10 | 10.Hör ich das Liedchen klingen | 2:03 |
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| 11 | 11.Ein Jüngling liebt ein Mädchen | 1:03 |
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| 12 | 12.Am leuchtenden Sommermorgen | 2:35 |
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| 13 | 13.Ich hab im Traum geweinet | 2:11 |
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| 14 | 14.Allnächtlich im Traume seh' ich dich | 1:22 |
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| 15 | 15.Aus alten Märchen winkt es | 2:41 |
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| 16 | 16.Die alten bösen Lieder | 4:25 |
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Franz Peter Schubert ComposerIm Frühling, D.882 Work |
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| 17 | Im Frühling, D.882 | 4:43 |
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Franz Peter Schubert ComposerAuf dem Wasser zu singen, D.774, Op.72 Work |
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| 18 | Auf dem Wasser zu singen, D.774, Op.72 | 3:40 |
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Franz Peter Schubert ComposerNachtstück, D.672, Op.36, No.2 Work |
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| 19 | Nachtstück, D.672, Op.36, No.2 | 6:20 |
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Franz Peter Schubert ComposerAn die Entfernte, D.765 Work |
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| 20 | An die Entfernte, D.765 | 3:19 |
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Franz Peter Schubert ComposerLachen und Weinen, D.777, Op.59, No.4 Work |
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| 21 | Lachen und Weinen, D.777, Op.59, No.4 | 1:47 |
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Franz Peter Schubert ComposerAbendstern, D.806 Work |
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| 22 | Abendstern, D.806 | 2:13 |
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| 23 | 10.Das Fischermädchen | 2:03 |
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| 24 | Sprache der Liebe, D.410, Op.posth.115, No.3 | 2:07 |
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Franz Peter Schubert ComposerDer Einsame, D.800, Op.41 Work |
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| 25 | Der Einsame, D.800, Op.41 | 4:27 |
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Franz Peter Schubert ComposerDer Geistertanz, D.116 Work |
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| 26 | Der Geistertanz, D.116 | 1:45 |
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Franz Peter Schubert ComposerAtys, D.585 Work |
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| 27 | Atys, D.585 | 4:59 |
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Franz Peter Schubert ComposerAuflösung, D.807 Work |
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| 28 | Auflösung, D.807 | 2:15 |
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Franz Peter Schubert ComposerNacht und Träume, D.827, Op.43, No.2 Work |
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| 29 | Nacht und Träume, D.827, Op.43, No.2 | 4:28 |
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| CD 18 of 27 | ||||||
| 1 | Ouvertüre | 8:10 |
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Robert Alexander Schumann ComposerScenes From Goethe's Faust, WoO3...Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Erste Abteilung (Part One) Work
17:02
English Chamber Orchestra Orchestra,
Meriel Dickinson Contralto,
Benjamin Britten Piano,
John Shirley-Quirk Baritone,
Aldeburgh Festival Singers Choir,
Elizabeth Harwood Soprano,
Dietrich Fischer-Dieskau Baritone
|
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| 2 | Du kanntest mich, O kleiner Engel | 5:06 |
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| 3 | Ach neige, du Schmerzenreiche | 4:59 |
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| 4 | Wie anders, Gretchen, war dir's | 6:57 |
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Robert Alexander Schumann ComposerScenes From Goethe's Faust, WoO3...Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Zweite Abteilung (Part Two) Work
47:33
Meriel Dickinson Contralto,
Aldeburgh Festival Singers Choir,
Dietrich Fischer-Dieskau Baritone,
Peter Pears Tenor,
Benjamin Britten Piano,
Pauline Stevens Soprano,
Neil Jenkins Tenor,
Jennifer Vyvyan Soprano,
Jenny Hill Soprano,
English Chamber Orchestra Orchestra,
John Elwes Tenor,
John Shirley-Quirk Baritone,
Margaret Cable Contralto,
Felicity Palmer Soprano,
Wandsworth School Boys' Choir Chorus/Choir (Boys),
John Noble Baritone
|
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| 5 | Die ihr dies Haupt umschwebt im luft'gem Kreise | 10:49 |
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| 6 | Des Lebens Pulse schlagen frisch-lebendig | 7:34 |
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| 7 | Ich heiße der Mangel | 2:22 |
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| 8 | Vier sah ich kommen | 8:15 |
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| 9 | Die Nacht scheint tiefer tief hereinzudringen | 2:54 |
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| 10 | Herbei! herbei! Herein! herein! | 5:16 |
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| 11 | Ein Sumpf zieht am Gebirge hin | 5:12 |
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| 12 | Ihn sättigt keine Lust | 5:11 |
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| CD 19 of 27 | ||||||
Robert Alexander Schumann ComposerScenes From Goethe's Faust, WoO3...Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Dritte Abteilung (Part Three) Work
44:59
Meriel Dickinson Contralto,
Robert Lloyd Bass,
Aldeburgh Festival Singers Choir,
Dietrich Fischer-Dieskau Baritone,
Peter Pears Tenor,
Benjamin Britten Piano,
Pauline Stevens Soprano,
Alfreda Hodgson Mezzo-Soprano,
Jennifer Vyvyan Soprano,
Elisabeth Harrison Soprano,
English Chamber Orchestra Orchestra,
John Shirley-Quirk Baritone,
Felicity Palmer Soprano,
Wandsworth School Boys' Choir Chorus/Choir (Boys),
Elizabeth Harwood Soprano
|
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| 1 | Waldung, sie schwankt heran | 2:43 |
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| 2 | Ewiger Wonnebrand | 1:54 |
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| 3 | Wie Felsenabgrund mir zu Füßen | 6:47 |
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| 4 | Gerettet ist das edle Glied | 11:09 |
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Album Only | |
| 5 | Hier ist die Aussicht frei | 4:20 |
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| 6 | Dir, der Unberührbaren | 8:39 |
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| 7 | Alles Vergängliche ist nur ein Gleichnis | 9:27 |
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17:56
|
||||||
| 8 | 1.Vanitas vanitatum: Mit Humor | 3:24 |
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| 9 | 2.Langsam | 3:28 |
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| 10 | 3.Nicht schnell, mit viel Ton zu spielen | 5:34 |
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| 11 | 4.Nicht zu rasch | 2:28 |
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| 12 | 5.Stark und markiert | 3:02 |
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| CD 20 of 27 | ||||||
Frederick Delius ComposerSummer Night On The River, for orchestra Work |
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| 1 | Summer Night On The River, for orchestra | 5:50 |
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5:21
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| 2 | 1.Lento, ma non troppo | 2:46 |
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| 3 | 2.Gaily, but not quick | 2:35 |
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||||||
| 4 | Sir Roger de Coverley (Christmas Dance for String Orchestra), H.155 | 4:28 |
|
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$1.29 |
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| 5 | Introduction and Allegro, for string quartet and string orchestra, Op.47 | 14:09 |
|
|
Album Only | |
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36:05
The Choir of King's College, Cambridge Choir,
Benjamin Britten Piano,
John Shirley-Quirk Baritone,
Peter Pears Tenor,
London Symphony Orchestra Orchestra,
London Symphony Chorus Chorus/Choir
|
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| 6 | 1.Prelude | 9:05 |
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| 7 | 2.Jesu Maria, I am Near to Death; 3.Kyrie Eleison | 5:52 |
|
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| 8 | 4.Rouse Thee, my Fainting Soul | 4:36 |
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| 9 | 5.Sanctus fortis | 10:30 |
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| 10 | 8.Profiscere, anima Christiana; 9.Go in the Name of Angels | 6:02 |
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| CD 21 of 27 | ||||||
|
54:56
The Choir of King's College, Cambridge Choir,
Benjamin Britten Piano,
John Shirley-Quirk Baritone,
Peter Pears Tenor,
London Symphony Orchestra Orchestra,
Yvonne Minton Mezzo-Soprano,
London Symphony Chorus Chorus/Choir
|
||||||
| 1 | 10.I Went to Sleep | 8:19 |
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| 2 | 11.It is a Member of that Family | 5:47 |
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| 3 | 12.Low-born Clods of Brute Earth (Demons' Chorus); 13.Dispossessed, Aside Thrust | 5:37 |
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| 4 | 14.I See Not those False Spirits; 15.Praise to the Holiest | 7:21 |
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| 5 | 16.But Hark! A Grand Mysterious Harmony; 17.Praise to the Holiest | 7:21 |
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| 6 | 18.Thy Judgement now is Near; 19.Jesu! By that Shuddering Dread | 7:27 |
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| 7 | 20.Take Me Away; 21.Lord, Thou Hast Been our Refuge | 6:45 |
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| 8 | 22.Softly and Gently, Dearly-Ransomed Soul | 6:19 |
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| CD 22 of 27 | ||||||
Dmitri Shostakovich ComposerCello Sonata, Op.40 Work
25:13
|
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| 1 | 1.Allegro non troppo | 11:02 |
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| 2 | 2.Allegro | 3:11 |
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| 3 | 3.Largo | 7:20 |
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| 4 | 4.Allegro | 3:40 |
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Dmitri Shostakovich Composer7 Romances (after poems by Blok), Op.127 Work
25:12
Benjamin Britten Piano,
Emanuel Hurwitz Violin,
Mstislav Rostropovich Cello,
Galina Vishnevskaya Soprano
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| 5 | 1.Ophelia's Song (Pesnya Ofelii) | 3:02 |
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| 6 | 2.Hamayun, the Prophetic Bird (Gamayun, Ptitsa Veshchaya) | 3:48 |
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| 7 | 3.We Were Together (My Byli Vmeste) | 2:45 |
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| 8 | 4.The City Is Asleep (Gorod Spit) | 3:11 |
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| 9 | 5.The Storm (Burya) | 1:51 |
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| 10 | 6.Secret Signs (Tayniye Znaki) | 5:02 |
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| 11 | 7.Music (Muzyka) | 5:33 |
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| 12 | 1.Con moto. Andante | 5:02 |
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| 13 | 2.Con moto. Adagio | 3:53 |
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| 14 | 3.Allegro | 2:49 |
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| CD 23 of 27 | ||||||
| 1 | 1.On Wenlock Edge | 3:21 |
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| 2 | 2.From Far, From Eve and Morning | 2:16 |
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| 3 | 3.Is My Team Ploughing | 3:42 |
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| 4 | 4.Oh, When I was in Love With You | 0:43 |
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| 5 | 5.Brendon Hill | 6:47 |
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| 6 | 6.Clun | 3:27 |
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Frank Bridge ComposerPhantasie Quartet in F-, H.55 Work |
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| 7 | Phantasie Quartet in F-, H.55 | 11:56 |
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Frank Bridge ComposerCello Sonata in D-, H.125 Work
23:15
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| 8 | 1.Allegro ben moderato | 10:22 |
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| 9 | 2.Adagio ma non troppo | 12:53 |
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Achille-Claude Debussy ComposerCello Sonata in D-, L.135 Work
12:27
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| 10 | 1.Prologue: Lent, sostenuto e molto risoluto | 5:01 |
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| 11 | 2.Sérénade: Modèrèment animé | 3:26 |
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| 12 | 3.Finale: Animé | 4:00 |
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| CD 24 of 27 | ||||||
| 1 | Shepherd's Hey!, folk song for flute, clarinet, horn, concertino and strings (BFMS 3) | 2:15 |
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| 2 | Willow, Willow, song for voice, 4 strings and guitar (OEPM 1) | 4:05 |
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| 3 | I'm Seventeen Come Sunday (folk song) for chorus and brass (BFMS 8) | 3:00 |
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| 4 | Bold William Taylor, folk song for mezzo-soprano or baritone and piano (BFMS 43) | 3:45 |
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| 5 | There Was a Pig Went Out to Dig (folk song), for female chorus (or solo voices; BFMS 18) | 2:05 |
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Percy Grainger ComposerMy Robin Is to the Greenwood Gone (OEPM 2) Work |
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| 6 | My Robin Is to the Greenwood Gone (OEPM 2) | 5:40 |
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| 7 | Lord Maxwell's Goodnight, folk song for high voice and string quartet (BFMS 42) | 3:35 |
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| 8 | The Duke of Marlborough Fanfare, for brass band (BFMS 36) | 2:15 |
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| 9 | Let's Dance Gay in Green Meadow, for piano, 4 hands (edited by Benjamin Britten) | 3:05 |
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| 10 | Scotch Strathspey and Reel, folk song for piano (BFMS 37) | 8:00 |
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| 11 | The Pretty Maid Milkin' Her Cow (folk song; BFMS 27) | 4:05 |
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| 12 | Lisbon (Dublin Bay), folk song (2 versions; BFMS 40) | 1:25 |
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| 13 | The Lost Lady Found (folk song) for voice, chorus and small ensemble (BFMS 33) | 2:55 |
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Percy Grainger ComposerShallow Brown, chanty for 1 or 2 voices (solo or chorus) and piano (SCS 3) Work
English Chamber Orchestra Orchestra,
Benjamin Britten Piano,
John Shirley-Quirk Baritone,
The Ambrosian Singers Chorus
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| 14 | Shallow Brown, chanty for 1 or 2 voices (solo or chorus) and piano (SCS 3) | 5:35 |
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| 15 | 1.Song: Sweeter than roses | 3:28 |
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(Franz) Joseph Haydn Composer6 Original Canzonettas, Hob.XVIa:31-36 Work
19:30
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| 16 | 31.Sailor's Song | 2:10 |
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| 17 | 32.The Wanderer | 4:20 |
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| 18 | 33.Sympathy | 2:50 |
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| 19 | 34.She Never Told Her Love | 3:50 |
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| 20 | 35.Piercing Eyes | 1:35 |
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| 21 | 36.Content | 4:45 | ||||