Late-Romantic Celebration
Various Artists
CDs: 2
Tracks: 17
hänssler CLASSIC
Rel. 1 Jan 2009
Sample Album Track
The music of the Late-Romantic era (c.1850-1900) comprises a stunning list of prominent composers and highly popular musical works – considering that it encompasses a mere 50 years or so. With composers like Verdi, Brahms, Puccini, Wagner, Mahler, Bruckner, Tchaikovsky, Bizet, Dvořák, Grieg, Strauss, and Saint-Saëns, it is little wonder that this period dominates the activities of today’s most active artists – as well as the music collections of many classical music fans. This “Late-Romantic Celebration” is the next in second-to-last of series of features devoted to the nine principal periods of music history, whereby we invite our visitors – regardless of experience – to explore and discover the many composers and works that exalt the era, and some of the outstanding artists that successfully bring it to our modern ears. Specifically, this Feature includes a brief written Overview of the Romantic era, as well as a useful index of key composers, works, and artists – each of which is linked to the related page on our site. In addition, we provide a whopping five separate two-hour 1-Click Concerts (full streams to our subscribers only), a featured “sampler” album, and a set of “Late-Romantic” videos. Enjoy!
“I adore art – when I am alone with my notes, my heart pounds and the tears stream from my eyes; and my emotion and my joys are too much to bear.”
– Giuseppe Verdi

The expressions "Late-Romantic" and "Post-Romantic" are relatively recent constructs used to delineate the later and/or "declining" phases of the Romantic period (after 1850), whose initial and overarching aspects are described on the Romantic page. By the mid-19th century, the Romantic impulses of subjective expression and organic unity had become fully internalized by most composers, leading to more pronounced applications of both. The ultimate personification of these Late-Romantic trends is surely Richard Wagner, whose operas and "Music Dramas" are largely defined by intense emotional expression, elaborate structural unity, and vast artistic scope - embodied in his term, Gesamskunstwerk (total or integrated artwork). Even composers who embraced differing conceptions of musical form and substance, most notably Johannes Brahms, were impelled by the same basic forces, and sought ever-tighter means to create structural cohesion in their music.
As in earlier decades of the century, the realm of harmony formed a principal means of expanding expressive power; in the works of Wagner, Brahms, Anton Bruckner, Pyotr Tchaikovsky, Giuseppe Verdi, and others, the diatonic (simple) harmony of the Classical era was increasingly replaced by a chromatic (sophisticated) approach, eventually undermining the very integrity of Tonality - the harmonic language that had reigned since the late Baroque. Another dynamic trend of the period was the rise of musical Nationalism, where composers from countries outside the central nexus of Western music (Germany, Austria, France, Italy, and England) strove to explore and celebrate the folk traditions of their native lands within an art context - such as Edvard Grieg (Norway), Antonín Dvorák and Bedrich Smetana (Czechoslovakia), Jean Sibelius (Finland), Mikhail Glinka, Nicolay Rimsky-Korsakov, and Alexander Borodin (Russia), etc. - which in turned help to expand the overall musical language of the time, harmonically as well as rhythmically and in orchestration.
By the closing decades of the 19th century, the developments noted above began to stretch to an extreme or "mannered" extend, as heard in the lengthy symphonies and orchestral works (tone poems, etc.) of Wagner's "successors", Gustav Mahler and Richard Strauss, as well as in vocal and instrumental works of other so-called "Post-Romantics", such as Alexander Scriabin, Sergey Rachmaninov, Giacomo Puccini, and Modest Mussorgsky - leading in many ways to a crisis of sorts, and thus to the kinds of experiments that defined the coming Impressionist and Modern eras.
Here is a list of some of the principal composers of the Late-Romantic era:
Giuseppe Verdi (1813-1901)
Principal genres: Opera, Sacred Choral Works
Richard
Wagner (1813-1883)
Principal genres: Opera, Music Drama
Charles
Gounod (1818-1893)
Principal genres: Opera, Songs
Jacques
Offenbach (1819-1880)
Principal genres: Opera
César
Franck (1822-1890)
Principal genres: Chamber Works, Vocal Works, Symphony
Edouard
Lalo (1823-1892)
Principal genres: Concertos
Anton
Bruckner (1824-1896)
Principal genres: Symphony, Sacred Choral Works
Bedrich
Smetana (1824-1884)
Principal genres: Opera, Symphonic Poem
Johann
Strauss II (1825-1899)
Principal genres: Operetta, Waltz, Polka
Louis
Moreau Gottschalk (1829-1869)
Principal genres: Piano Works
Anton
Rubinstein (1829-1894)
Principal genres: Opera, Concerto, Piano Works
Karl
Goldmark (1830-1915)
Principal genres: Opera, Concerto, Chamber Works
Alexander
Borodin (1833-1887)
Principal genres: Opera, Symphony, String Quartet
Johannes
Brahms (1833-1897)
Principal genres: Symphony, Concerto, Chamber Works, Piano Works,
Songs, Sacred Choral Works
Camille
Saint-Saëns (1835-1921)
Principal genres: Opera, Symphony, Concerto, Chamber Works
Henryk
Wieniawski (1835-1880)
Principal genres: Violin Concerto
Léo
Delibes (1836-1891)
Principal genres: Opera, Ballet
Georges
Bizet (1838-1875)
Principal genres: Opera, Symphony, Piano Works
Max
Bruch (1838-1920)
Principal genres: Violin Concerto, Orchestral Works
Modest
Petrovich Mussorgsky (1839-1881)
Principal genres: Opera, Orchestral Works, Piano Works
Pyotr
Ilich Tchaikovsky (1840-1893)
Principal genres: Opera, Ballet, Symphony, Concerto, Orchestral
Works, Chamber Works
Antonín
(Leopold) Dvořák (1841-1904)
Principal genres: Opera, Symphony, Concerto, Orchestral Works, String
Quartet, Chamber Works, Piano Works
Jules
Massenet (1842-1912)
Principal genres: Opera
Sir
Arthur Sullivan (1842-1900)
Principal genres: Operetta
Edvard
Grieg (1843-1907)
Principal genres: Orchestral Works, Concertos, Piano Works, Songs
Nikolay
Rimsky-Korsakov (1844-1908)
Principal genres: Opera, Suite, Orchestral Works, Songs, Choral
Works
Pablo
de Sarasate (1844-1908)
Principal genres: Violin Works
Gabriel
Fauré (1845-1924); FRA
Principal genres: Choral Works, Songs, Piano Works, Orchestral Works,
Chamber Works
Leoš
Janáček (1854-1928)
Principal genres: Opera, Orchestral Works, Chamber Works
Engelbert
Humperdinck (1854-1921)
Principal genres: Opera
Ernest
Chausson (1855-1899)
Principal genres: Orchestral Works, Chamber Works, Songs
Sir
Edward Elgar (1857-1934)
Principal genres: Concerto, Orchestral Works, Songs
Ruggero
Leoncavallo (1857-1919)
Principal genres: Opera
Giacomo
Puccini (1858-1924)
Principal genres: Opera
Gustav
Mahler (1860-1911)
Principal genres: Symphony
Isaac
Albéniz (1860-1909)
Principal genres: Piano Works
Edward
MacDowell (1860-1908)
Principal genres: Piano Works, Songs
Hugo
Wolf (1860-1903)
Principal genres: Song Cycle, Songs
Frederick
Delius (1862-1934)
Principal genres: Orchestral Works
Pietro
Mascagni (1863-1945)
Principal genres: Opera
Richard
Strauss (1864-1949)
Principal genres: Opera, Tone Poems, Songs
Alexander
Scriabin (1872-1915)
Principal genres: Piano Sonatas, Piano Works, Symphony
Here is a short, and quite partial, list of some of the many masterpieces of the Late-Romantic era. Use this list as a springboard for further musical exploration. In addition, please enjoy the five 1-Click Concerts above, which are directly based upon these selections.
Verdi,
Aida (opera)
Verdi,
La Traviata (opera)
Verdi,
Il Trovatore (opera)
Wagner,
Die Meistersinger von Nürnberg (opera)
Wagner,
Tristan und Isolde (opera), WWV 90
Wagner,
Die Walküre (The Valkyrie; opera), WWV 86b
Gounod,
Faust (opéra)
Gounod,
Ave Maria (Adaptation of Bach's Prelude in C, BWV846)
Offenbach,
Les contes d'Hoffmann (opera)
Franck,
Panis angelicus for tenor, organ, harp, cello, and bass
Franck,
Violin Sonata in A, M.8
Lalo,
Symphonie espagnole, for violin and orchestra in D-, Op.21
Bruckner,
Symphony No.4 in Eb, WAB104 ('Romantic')
Bruckner,
Symphony No.7 in E, WAB107 ('Lyric')
Smetana,
The Bartered Bride (Prodaná nevesta; opera), JB 1:100
Smetana,
Má vlast (My Fatherland), JB 1:112
Johann
Strauss Jr., Die Fledermaus (The Bat; operetta), RV503
Johann
Strauss, Jr., An der schönen, blauen Donau (Blue Danube Waltz),
Op.314
Gottschalk,
Le Banjo, esquisse américaine, Op.15
Rubinstein,
Piano Concerto No.4 in D-, Op.70
Goldmark,
Violin Concerto No.1 in A-, Op.28
Borodin,
Prince Igor (opera; completed by Rimsky-Korsakov and Glazunov)
Borodin,
String Quartet No.2 in D
Brahms,
Hungarian Dances, WoO1, Bk.1-2 (piano version)
Brahms,
Piano Quintet in F-, Op.34
Brahms,
Symphony No.1 in C-, Op.68
Saint-Saëns,
Carnival of the Animals: Zoological Fantasy
Saint-Saëns,
Danse macabre, tone poem, Op.40
Wieniawski,
Violin Concerto No.2 in D-, Op.22
Delibes,
Lakmé (opera)
Delibes,
Coppélia, ou La fille aux yeux d'émail (ballet)
Bizet,
Carmen (opéra-comique)
Bizet,
Les pêcheurs de perles (The Pearl Fishers; opera)
Bruch,
Kol Nidrei: Adagio on Hebrew Melodies, for cello and orchestra, Op.47
Bruch,
Violin Concerto No.1 in G-, Op.26
Mussorgsky,
Boris Godunov (opera)
Mussorgsky,
Pictures at an Exhibition (Kartinki s vïstavski)
Mussorgsky,
Night on Bald Mountain
Tchaikovsky,
Nutcracker (ballet), Op.71
Tchaikovsky,
Eugene Onegin (opera), Op.24
Tchaikovsky,
Violin Concerto in D, Op.35
Dvořák,
Rusalka, B.203, Op.114 (lyric fairy tale, opera)
Dvořák,
Symphony No.9 in E- ('From the New World'), Op.95
Dvořák,
8 Slavonic Dances, B.83, Op.46 (after piano 4-hands version)
Massenet,
Manon (opera)
Massenet,
Werther (opera)
Sullivan,
The Mikado (The Town of Titipu; operetta)
Sullivan,
The Pirates of Penzance (operetta)
Grieg,
Peer Gynt, Op.23 (Incidental Music)
Grieg,
From Holberg’s Time ('Holberg Suite'), for string orchestra
Rimsky-Korsakov,
Sheherazade (symphonic suite), Op.35
Sarasate,
Zigeunerweisen ('Gypsy Air'), Op.20
Fauré,
Requiem, Op.48
Fauré,
Pavane, Op.50
Janáček,
Jenufa (opera), JW 1/4
Humperdinck,
Hänsel and Gretel (opera)
Chausson,
Poème, for violin and orchestra, Op.25
Elgar,
Enigma Variations, Op.36
Elgar,
Cello Concerto in E-, Op.85
Leoncavalli,
Pagliacci (opera)
Puccini,
La bohème (opera)
Puccini,
Madama Butterfly (opera)
Puccini,
Tosca (opera)
Mahler,
Symphony No.1 in D ('Titan')
Mahler,
Symphony No.4 in G
Mahler,
Das Lied von der Erde, for alto (or baritone), tenor and orchestra
Albéniz,
Suite española No.1, Op.47, B.7
MacDowell,
10 Woodland Sketches, Op.51
Wolf,
Italienisches Liederbuch (Italian Songbook)
Delius,
2 Pieces for Small Orchestra, RTvi/19
Mascagni,
Cavalleria rusticana (opera)
R.
Strauss, Salome, Op.54, TrV215 (music drama)
R.
Strauss, Der Rosenkavalier, Op.59, TrV227 ('musical comedy')
R.
Strauss, Also sprach Zarathustra, Op.30, TrV176
Scriabin,
24 Preludes, Op.11
Scriabin,
Symphony No.4 in C ('Le Poème de l'extase), Op.54
Here is a short, and quite partial, list of the many outstanding
artists (conductors, soloists, chamber groups, orchestras), featured
on Classical Archives who specialize in performing music of the
Late-Romantic era, divided into their various categories:
Orchestras
Bavarian
Radio Symphony Orchestra
Berlin
Philharmonic
Berlin
State Opera Orchestra
Boston
Symphony Orchestra
Chicago
Symphony Orchestra
Cleveland
Orchestra
Dresden
Staatskapelle
Hanover
Band
La
Scala Theater Orchestra
L'Orchestre
de la Suisse Romande
London
Symphony Orchestra
Metropolitan
Opera Orchestra
New
York Philharmonic
Nicolaus
Esterházy Sinfonia
Philharmonia
Orchestra of London
Rome
Opera Theater Orchestra
Royal
Concertgebouw Orchestra
Royal
Opera House Chorus and Orchestra Covent Garden
Royal
Philharmonic Orchestra
Royal
Scottish National Orchestra
Slovak
Philharmonic Orchestra
SWR
Stuttgart Radio Symphony Orchestra
Vienna
Philharmonic Orchestra
Conductors
Claudio
Abbado
Ernest
Ansermet
Vladimir
Ashkenazy
Daniel
Barenboim
Leonard
Bernstein
Karl
Böhm
Richard
Bonynge
Willi
Boskovsky
Sir
Colin Davis
Charles
Dutoit
Alberto
Erede
Wilhelm
Furtwängler
Gianandrea
Gavazzeni
Valery
Gergiev
Carlo
Maria Giulini
Bernard
Haitink
Mariss
Jansons
Neeme
Järvi
Eugen
Jochum
Herbert
von Karajan
Carlos
Kleiber
Kiril
Kondrashin
Rafael
Kubelik
Lorin
Maazel
Sir
Charles Mackerras
Pierre
Monteux
Riccardo
Muti
Kent
Nagano
Roger
Norrington
David
Parry
Alexander
Rahbari
Rico
Saccani
Kurt
Sanderling
Gerard
Schwarz
Tullio
Serafin
Giuseppe
Sinopoli
Leonard
Slatkin
Georg
Solti
George
Szell
Christian
Thielemann
Michael
Tilson Thomas
Georg
Tintner
Antoni
Wit
Chamber Ensembles
Alexander
String Quartet
Amadeus
Quartet
Borodin
Quartet
Borodin
Trio
Kodaly
Quartet
Stuttgart
Piano Trio
Verdi
Quartet
Pianists
Martha
Argerich
Claudio
Arrau
Vladimir
Ashkenazy
Idil
Biret
Alfred
Brendel
Ignaz
Friedman
Emil
Grigoryevich Gilels
Friedrich
Gulda
Vladimir
Horowitz
Jenö
Jandó
Martin
Jones
Wilhelm
Kempff
Alan
Marks
Gerhard
Oppitz
Sviatoslav
Richter
Arthur
Rubinstein
Artur
Schnabel
Other Instrumental Soloists
Pablo
Casals (cello)
Arthur
Grumiaux (violin)
Natalia
Gutman (cello)
Jascha
Heifetz (violin)
Ilya
Kaler (violin)
Fritz
Kreisler (violin)
Shlomo
Mintz (violin)
Takako
Nishizaki (violin)
Itzhak
Perlman (violin)
Mstislav
Rostropovich (cello)
Andrés
Segovia (guitar)
Gil
Shaham (violin)
Isaac
Stern (violin)
Mela
Tenenbaum (violin)
Pinchas
Zukerman (violin)
Vocalists
Sopranos
Montserrat
Caballé
Maria
Callas
Maria
Dragoni
Kirsten
Flagstad
Monika
Krause
Stefania
Malagu
Birgit
Nilsson
Leontyne
Price
Margaret
Price
Renata
Scotto
Irmgard
Seefried
Beverly
Sills
Renata
Tebaldi
Kiri
Te Kanawa
Mezzo-Sopranos
Olga
Borodina
Grace
Bumbry
Brigitte
Fassbaender
Marilyn
Horne
Christa
Ludwig
Giulietta
Simionato
Anne
Sofie von Otter
Tenors
Carlo
Bergonzi
Jussi
Björling
Enrico
Caruso
José
Carreras
Franco
Corelli
Mario
del Monaco
Giuseppe
di Stefano
Plácido
Domingo
Maurizio
Frusoni
Dennis
O'Neill
Luciano
Pavarotti
Gianni
Raimondi
Michael
Schade
Jon
Vickers
Baritone / Bass
Dietrich
Fischer-Dieskau (baritone)
Nicolai
Ghiaurov (bass)
Tito
Gobbi (baritone)
Matthias
Goerne (baritone)
Hans
Hotter (bass-baritone)
Dmitri
Hvorostovsky (baritone)
Kurt
Moll (bass)
Alan
Opie (baritone)
Thomas
Quasthoff (bass-baritone)
Samuel
Ramey (bass)
Andreas
Schmidt (bass-baritone)
Cesare
Siepi (bass)
Bryn
Terfel (baritone)
José
Van Dam (bass)